I couldn’t be more pleased to host my brilliant editor
Michelle Poploff on the blog for the 2013 Writing and Illustrating for Kids
(WIK) Conference Blog Tour. Michelle is the Vice President and Executive Editor at Delacorte/Random House Children's
Books, and I (along with fellow Southern Breezer
Donny Bailey Seagraves) am proof
positive that she truly does acquire manuscripts from conference submissions.
Michelle bought my recently published historical middle grade
EVERY DAY AFTER following
an SCBWI conference I attended in Nashville in fall of 2011. She also acquired
Donny’s wonderful middle grade novel
GONE FROM THESE WOODS after the 2007
Southern Breeze Springmingle Conference in Atlanta.
Here's a bit about Michelle:
In recent years Michelle has acquired manuscripts from
attendees at several SCBWI conferences, and two of those debut books are being
published this year (mine and
Kit Grindstaff's
THE FLAME IN THE MIST)
.
Among the many award winning books she has edited are the
2011 Newbery Award Winner MOON OVER MANIFEST, Newbery Honor Winner HATTIE BIG SKY, Coretta Scott King New Talent Award Winner BRENDAN BUCKLEY'S UNIVERSE ANDEVERYTHING IN IT, and 2012 Morris Debut Award Finalist PAPER COVERS ROCK.
Michelle also works with Phyllis Reynolds Naylor, Stacey Jay, and many other
talented writers. She is always on the lookout for top drawer manuscripts with
a strong authorial voice in middle grade and YA fiction.
Welcome, Michelle!
Let’s dive right in. You’re a big supporter of the SCBWI and frequently seek
out new talent at SCBWI conferences. In your opinion, what makes this
organization so special?
The SCBWI is a terrific organization in that it brings
together published & aspiring writers, editors, agents, illustrators and
more while providing current news about the ever-changing publishing world.
It's a win-win situation for all concerned when publishers get the
opportunity to visit state and regional chapters and interact with writers
informally and for critique sessions. There's always the chance that we will
make a connection that wouldn't have been possible otherwise. I'm always
looking to acquire exceptional new writing talent, and the SCBWI conferences
provide the potential for making that happen.
You will offer two
sessions at the WIK conference this October. Your “Bring it on Birmingham”
session will give attendees the chance to pitch their manuscripts on the spot.
What makes a successful pitch?
Before a writer makes a verbal pitch, it's a good idea to
practice out loud in front of others. Try to be as succinct as possible,
as if you are pitching your story in an elevator and have about 30 seconds to
give the main idea. It's important to include in the overview a sense of
the main character, the time, place & setting, as if you're drawing a
picture with your words. At this conference, the writer will also be
reading the first page of the manuscript, so I will be hoping to hear the voice
of the character that's going to drive the story, & captured by the
sensory appeal of the surroundings. I want to be hooked by the writing in terms
of conflict, intriguing details, or something that stands out about the
character that will encourage me to keep turning the pages.
Your “The Write
Place” workshop will expand on ways authors can mine personal memories and
family history for the inspiration they need to write a unique story. You
frequently acquire books that have been inspired by the author’s life or family
history. In your opinion, what sets this type of book apart from the
competition?
Obviously each family has its own unique background and
history. I find there's so much heart and beauty in stories when there is a
family connection even if it's just a small thread or not a particularly happy
circumstance. For me it's a sincere special ingredient that never feels
forced due to the writer's personal connection even if it's generations later. But
as in every book, no matter what the subject matter, it's all in the actual
telling of the story.
If you’ll allow us a
peek behind the doors of an imprint at a Big Six (or is it Big Five now that
Random House and Penguin have merged?), what process do your post-conference
submissions go through? Must they pass through a first reader or do they go
straight to your desk? In general, how far into the evaluation do you get
before you know if something is a good fit for you?
For purposes of post conference, the submissions are sent
directly to me. I ask for a synopsis and the first 3 chapters to be sent by
regular mail. If I'm intrigued, I'll ask to see the rest of the manuscript. I
won't make a decision until I have read the manuscript in its entirety.
What are you looking
for when evaluating a manuscript? What hooks you?
What hooks me is a combination plate of the character's
voice, the details, the setting, the conflicts, and how the main characters
grow and change as the story progresses. There has to be something
special that attracts me to the character, something that sort of says
"join me on my journey." I want to believe in the character,
who will be flawed to be sure, but there needs to be an ingredient in the
writing that pulls me along page by page and hopefully future readers will want
to travel along as well. Unfortunately we can't bottle that ingredient as it
varies from book to book.
And now, the question
I’ve wanted to ask you for oh-so-long. You’ve received two calls notifying you
that books you edited had been recognized by the Newbery committee: one call
for Hattie Big Sky (2007 Newbery Honor) and the other for Moon Over Manifest
(2011 Newbery Medal). Could you talk a bit about where you were and how you
reacted when those calls came? Inquiring minds want to know!
Sometimes I'm at the Midwinter ALA in the early morning when
the committees call the publishers, but in the cases of Kirby Larson's HATTIE
BIG SKY and Clare Vanderpool's MOON OVER MANIFEST I was in the office when my
colleagues called shouting out the sensational news. There was plenty of
cheering on both ends and I couldn't wait to call the authors and cheer some
more. We watched the press conference online, but Kirby Larson had the
incredible opportunity of being at the press conference when HATTIE BIG SKY was
announced as the conference took place in her hometown of Seattle that year!
Much more happened of course, flurries of emails, phone calls, and celebrations
throughout the year.
And now for a Speed Round:
*Favorite book?
It's hard to name one overall favorite, but a standout is
COLD SASSY TREE by Olive Ann Burns.
*Place you’ve always
dreamt of visiting but haven’t been?
Italy
*Jane Eyre or
Wuthering Heights?
Jane Eyre
*Chocolate or vanilla?
Chocolate
And that does it.
Thank you so much for participating in the WIK blog tour, Michelle! It was such
fun interviewing you, and I must give an emphatic “ditto!” to your responses on the last two
Speed Round questions. See you in Birmingham come October!
Michelle
is just one member of the impressive faculty lined up for this year’s
conference on October 12th. WIK is a great place to get inspired, get tips on
your craft, and learn about the business of children’s publishing. It’s also an
opportunity to meet editors, agents, and an incredibly supportive network of
working writers and artists. The Southern Breeze region of the Society of
Children’s Book Writers and Illustrators (SCBWI) hosts this wonderful annual
conference. I hope you’ll make plans to attend!
Want to meet
other members of the conference faculty?
Follow the 2013 WIK Blog Tour:
Aug.
28 Author
Matt de la Peña at Stephanie Moody’s Moodyviews
Editor Lou Anders at F.T. Bradley’s YA Sleuth
Illustrator Prescott Hill at Gregory Christie’s G.A.S.
Editor Michelle Poploff at Laura Golden’s Just Write
Sept.
5
Author / illustrator Sarah Frances Hardy at Stephanie Moody’s Moodyviews
